Rosemary candelario

Rosemary Candelario writes about dance and popular culture through the lens of gender, race, and ethnicity. Whether she is addressing the Japanese avant- garde dance, butoh, Asian American dance, vampires, cyborgs, or mass protests, an attention to the political efficacy of moving bodies pervades her work. Assistant Professor) specializes in the Japanese avant-garde movement form butoh.

Other research interests include dance and ecology, Asian American dance, site-specific performance, and arts activism. Drawing on interviews, live performance, videos, and reviews, .

She specializes in the Japanese avant-garde movement form butoh, dance and ecology, site-specific performance, and arts activism.

Despite receiving prestigious awards and fellowships and amassing hundreds of reviews, their breadth of work is rarely the subject of academic research.

Butoh-inspired site specific dance. Published by: Wesleyan University . View the profiles of people named Rosemarie Candelario. Choreographed by Kingsley Irons in collaboration with the cast Music composed by Derrick Spiva Jr.

Her research on the globalization of the Japanese postwar avant- garde movement form butoh raises questions about dance in diaspora, cultural appropriation and innovation, intercultural work, and the meaning of locality. Search for articles by this author. In the decades since Tatsumi Hijikata and . To inquire about our doctoral degree program, please contact the program coordinator, Dr. Department Chairperson Mary Williford-Shade at . Keywords: video, installation, collaboration, photography, A Body in Places. What made you to turn to video at that time?

After more than years as an acclaimed duo, Eiko Otake and Takashi Otake (also known as Koma) are now exploring solo work. Photo credit, Name Yutian Wong is an associate professor in the School of Theatre and Dance at San Francisco State University. She is the author of Choreographing Asian America. Indee this may be the best way to make use of the book, choosing those exercises that seem interesting, and leaving those that are unclear behind.

The strength of the Institute is the opportunity to be completely immersed in Balinese culture through learning music and dance, yet with enough Western teaching methods to facilitate our learning. Beat Drama: Playwrights and Performances of the “Howl” Generation. Hijikata: Revolt of the Body by Stephen Barber (review). DOI: For additional information about this article.

Access provided by your local institution . Moni Mekhala and Ream Eyso Edited by Prumsodun Ok (review). Performance studies scholars unaware of the rich and contentious history of Japa - nese avant-garde art and protest will also benefit from reading this text. Robert Stolz, Bad Water: Nature, . Transsexual Empire,” Trans Postcoloniality: The Biomedicalization of the Trans Body and the Cultural Politics of Trans Kinship in Northeast Asia and Asian America by Stephanie Hsu. Distributed Reproduction, Chemical Violence, and Latency by Michelle Murphy. CALL FOR CHAPTER PROPOSALS: Routledge Companion to Butoh Performance.

Bruce Baird (University of Massachusetts, Amherst).